1k160. AM DO JISUM MENKEDA LYRICS

 ᱟᱢ ᱫᱚ ᱡᱤᱥᱩᱢ ᱢᱮᱱᱠᱮᱫᱟ

Credit

Published Õṛhẽ sarhao

Publisher Bhagalpur Diocese

Song Amdom jisum menkeda 

Song no N 02 

Lyrics Tumạl

Okte Naeke ojoḱ bahal hiloḱ 

Category Santali Gospel song

@santalichristianlyrics

Rạṛ: Doṅ 

Lyrics 

1. Am do Jisum menkeda

Dela pańjańpe in taenomte,

Ińge baṛepe pańjaliń khan do

Hor sasaṕ keõṭań benao pea.

2. Hohoat́ koam Jisum delawat ko

Bachaoket́ kom Jisum begar ket́ko,

Nojoḱ ket́ kom Jisu Naeke Baba hudạre

Jonom jonomem bahalket́ ko.

3. Melkisedaḱ naeke leka

Tire-juge lạgit́ naeke hudạ 

Mạndirko bola dãṛẽko samaṅa

Piṭhạ ar dakhrasa chinte Jisu.

4. Batlao kedam Jisum hukum Keda

Apeko mudre dupulạṛ pe,

Ińge disạń lạgit́ jaoge noṅkae pe

Ińdo menạńgea ape sãore.

5. Dhạrti puri reaḱ ponon konḍre

Dhorom porcargedom kol pasnao ko

Do senoḱ pe joto disom disomre

Bhage Sombat katha lại akope.

6. Bhorem emat́ kote daṛem emat́ ko

Hahaṛa kạmi lạgit́ am ńutumte,

Dhoromko kạmia saetan ko laga ko

Disomren hoṛko ko bhaṛoena.

7. Baba ar hopon ar Sonot atma

Pene joṅ ńumkope bạptismare

Goṭa disom rege sanam jạt hoṛ ṭhen,

Serma jion katha lại akope

8. E Jisu Am do nahaḱ jugre

Bishop ar naeke kom bahal joṅkan,

Inạ dhoromge inạ kathage

Bishop ar naeke ko lạlại kana.

9. Baba ar hopon ar Sonot atma

Pene joṅ ńumkope bạptismare 

Goṭa disom rege sanam jạt hoṛ ṭhen,

Serma jion katha lại akope.

10. E Jisu Am do nahaḱ jugre

Bishop ar naeke kom bahal jon kan,

Ina dhoromge ina kathage

Bishop ar naeke ko lạlại kana.

11. E Probhu Jisu biswạsoḱ kanale

Am sodorket́ katha khạṭi gea

Amre bhorsa kate dupulạṛ tege,

Jaejug jion puri seṭer kalem. 

ᱚᱞ ᱪᱤᱠᱤ ᱯᱷᱚᱱᱴ 

᱑ ᱾ ᱟᱢ ᱫᱚ ᱡᱤᱥᱩᱢ ᱢᱮᱱᱠᱮᱫᱟ

ᱫᱮᱞᱟ ᱯᱟᱧᱡᱟᱧᱯᱮ ᱤᱱ ᱛᱟᱭᱱᱚᱢᱛᱮ,

ᱤᱧᱜᱮ ᱵᱟᱲᱮᱯᱮ ᱯᱟᱧᱡᱟᱞᱤᱧ ᱠᱷᱟᱱ ᱫᱚ

ᱦᱚᱨ ᱥᱟᱥᱟᱵ ᱠᱮᱚᱸᱴᱟᱧ ᱵᱮᱱᱟᱣ ᱯᱮᱭᱟ ᱾

᱒ ᱾ ᱦᱚᱦᱚᱣᱟᱫ ᱠᱚᱣᱟᱢ ᱡᱤᱥᱩᱢ ᱫᱮᱞᱟᱣᱟᱛ ᱠᱚ

ᱵᱟᱪᱷᱟᱣᱠᱮᱫ ᱠᱚᱢ ᱡᱤᱥᱩᱢ ᱵᱮᱜᱟᱨ ᱠᱮᱫᱠᱚ,

ᱱᱚᱡᱚᱜ ᱠᱮᱫ ᱠᱚᱢ ᱡᱤᱥᱩ ᱱᱟᱭᱠᱮ ᱵᱟᱵᱟ ᱦᱩᱫᱟᱹᱨᱮ

ᱡᱚᱱᱚᱢ ᱡᱚᱱᱚᱢᱮᱢ ᱵᱟᱦᱟᱞᱠᱮᱫ ᱠᱚ ᱾

᱓ ᱾ ᱢᱮᱞᱠᱤᱥᱮᱫᱟᱜ ᱱᱟᱭᱠᱮ ᱞᱮᱠᱟ

ᱛᱤᱨᱮ-ᱡᱩᱜᱮ ᱞᱟᱹᱜᱤᱫ ᱱᱟᱭᱠᱮ ᱦᱩᱫᱟᱹ 

ᱢᱟᱹᱱᱫᱤᱨᱠᱚ ᱵᱚᱞᱟ ᱫᱟᱸᱲᱮᱸᱠᱚ ᱥᱟᱢᱟᱝᱟ

ᱯᱤᱴᱷᱟᱹ ᱟᱨ ᱫᱟᱠᱷᱨᱟᱥᱟ ᱪᱷᱤᱱᱛᱮ ᱡᱤᱥᱩ ᱾

᱔ ᱾ ᱵᱟᱛᱞᱟᱣ ᱠᱮᱫᱟᱢ ᱡᱤᱥᱩᱢ ᱦᱩᱠᱩᱢ ᱠᱮᱫᱟ

ᱟᱯᱮᱠᱚ ᱢᱩᱫᱨᱮ ᱫᱩᱯᱩᱞᱟᱹᱲ ᱯᱮ,

ᱤᱧᱜᱮ ᱫᱤᱥᱟᱹᱧ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱣᱜᱮ ᱱᱚᱝᱠᱟᱭ ᱯᱮ

ᱤᱧᱫᱚ ᱢᱮᱱᱟᱹᱧᱜᱮᱭᱟ ᱟᱯᱮ ᱥᱟᱶᱨᱮ ᱾

᱕ ᱾ ᱫᱷᱟᱹᱨᱛᱤ ᱯᱩᱨᱤ ᱨᱮᱭᱟᱜ ᱯᱚᱱᱚᱱ ᱠᱚᱱᱰᱨᱮ

ᱫᱷᱚᱨᱚᱢ ᱯᱚᱨᱪᱟᱨᱜᱮᱫᱚᱢ ᱠᱚᱞ ᱯᱟᱥᱱᱟᱣ ᱠᱚ

ᱫᱚ ᱥᱮᱱᱚḱᱜᱯᱮ ᱡᱚᱛᱚ ᱫᱤᱥᱚᱢ ᱫᱤᱥᱚᱢᱨᱮ

ᱵᱷᱟᱜᱮ ᱥᱚᱢᱵᱟᱛ ᱠᱟᱛᱷᱟ ᱞᱟᱹᱭ ᱟᱠᱚᱯᱮ ᱾

᱖ ᱾ ᱵᱷᱚᱨᱮᱢ ᱮᱢᱟᱫ ᱠᱚᱛᱮ ᱫᱟᱲᱮᱢ ᱮᱢᱟᱫ ᱠᱚ

ᱦᱟᱦᱟᱲᱟ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱟᱢ ᱧᱩᱛᱩᱢᱛᱮ,

ᱫᱷᱚᱨᱚᱢᱠᱚ ᱠᱟᱹᱢᱤᱭᱟ ᱥᱟᱭᱛᱟᱱ ᱠᱚ ᱞᱟᱜᱟ ᱠᱚ

ᱫᱤᱥᱚᱢᱨᱮᱱ ᱦᱚᱲᱠᱚ ᱠᱚ ᱵᱷᱟᱲᱚᱭᱱᱟ ᱾

᱗ ᱾ ᱵᱟᱵᱟ ᱟᱨ ᱦᱚᱯᱚᱱ ᱟᱨ ᱥᱚᱱᱚᱛ ᱟᱛᱢᱟ

ᱯᱮᱱᱮ ᱡᱚᱝ ᱧᱩᱢᱠᱚᱯᱮ ᱵᱟᱹᱯᱛᱤᱥᱢᱟᱨᱮ

ᱜᱚᱴᱟ ᱫᱤᱥᱚᱢ ᱨᱮᱜᱮ ᱥᱟᱱᱟᱢ ᱡᱟᱹᱛ ᱦᱚᱲ ᱴᱷᱮᱱ,

ᱥᱮᱨᱢᱟ ᱡᱤᱭᱚᱱ ᱠᱟᱛᱷᱟ ᱞᱟᱹᱭ ᱟᱠᱚᱯᱮ

᱘ ᱾ ᱮ ᱡᱤᱥᱩ ᱟᱢ ᱫᱚ ᱱᱟᱦᱟᱜ ᱡᱩᱜᱨᱮ

ᱵᱤᱥᱦᱚᱯ ᱟᱨ ᱱᱟᱭᱠᱮ ᱠᱚᱢ ᱵᱟᱦᱟᱞ ᱡᱚᱝᱠᱟᱱ,

ᱤᱱᱟᱹ ᱫᱷᱚᱨᱚᱢᱜᱮ ᱤᱱᱟᱹ ᱠᱟᱛᱷᱟᱜᱮ

ᱵᱤᱥᱦᱚᱯ ᱟᱨ ᱱᱟᱭᱠᱮ ᱠᱚ ᱞᱟᱹᱞᱟᱹᱭ ᱠᱟᱱᱟ ᱾

᱙ ᱾ ᱵᱟᱵᱟ ᱟᱨ ᱦᱚᱯᱚᱱ ᱟᱨ ᱥᱚᱱᱚᱛ ᱟᱛᱢᱟ

ᱯᱮᱱᱮ ᱡᱚᱝ ᱧᱩᱢᱠᱚᱯᱮ ᱵᱟᱹᱯᱛᱤᱥᱢᱟᱨᱮ 

ᱜᱚᱴᱟ ᱫᱤᱥᱚᱢ ᱨᱮᱜᱮ ᱥᱟᱱᱟᱢ ᱡᱟᱹᱛ ᱦᱚᱲ ᱴᱷᱮᱱ,

ᱥᱮᱨᱢᱟ ᱡᱤᱭᱚᱱ ᱠᱟᱛᱷᱟ ᱞᱟᱹᱭ ᱟᱠᱚᱯᱮ ᱾

᱑᱐ ᱾ ᱮ ᱡᱤᱥᱩ ᱟᱢ ᱫᱚ ᱱᱟᱦᱟᱜ ᱡᱩᱜᱨᱮ

ᱵᱤᱥᱦᱚᱯ ᱟᱨ ᱱᱟᱭᱠᱮ ᱠᱚᱢ ᱵᱟᱦᱟᱞ ᱡᱚᱱ ᱠᱟᱱ,

ᱤᱱᱟ ᱫᱷᱚᱨᱚᱢᱜᱮ ᱤᱱᱟ ᱠᱟᱛᱷᱟᱜᱮ

ᱵᱤᱥᱦᱚᱯ ᱟᱨ ᱱᱟᱭᱠᱮ ᱠᱚ ᱞᱟᱹᱞᱟᱹᱭ ᱠᱟᱱᱟ ᱾

᱑᱑ ᱾ ᱮ ᱯᱨᱚᱵᱷᱩ ᱡᱤᱥᱩ ᱵᱤᱥᱣᱟᱹᱥᱚᱜ ᱠᱟᱱᱟᱞᱮ

ᱟᱢ ᱥᱚᱫᱚᱨᱠᱮᱫ ᱠᱟᱛᱷᱟ ᱠᱷᱟᱹᱴᱤ ᱜᱮᱭᱟ

ᱟᱢᱨᱮ ᱵᱷᱚᱨᱥᱟ ᱠᱟᱛᱮ ᱫᱩᱯᱩᱞᱟᱹᱲ ᱛᱮᱜᱮ,

ᱡᱟᱭᱡᱩᱜᱽ ᱡᱤᱭᱚᱱ ᱯᱩᱨᱤ ᱥᱮᱴᱮᱨ ᱠᱟᱞᱮᱢ ᱾

By Lourence Soren